data:wrangler
One of the key roles of a DIT/data wrangler is to work with both the camera department and post-production to ensure a smooth, orderly and secure flow of data and material from the set – participants in film:lab will have the opportunity to learn about the practice and theory of this profession.
An important task of the DIT is to create backup copies of the material and carefully examine it for problems, not only file damage, but also any other technical aspects that could disrupt the further production and post-production process of the film.
The data wrangler also supervises part of the post-production process, ensuring that the material is handled correctly throughout the production chain, which is why workshop participants will have the opportunity to work on material from the film set prepared by young filmmakers from the film:lab course.
Workshop schedule:
Day 1 3:00 p.m. to 7:00 p.m. Film School in Katowice, editing room
Day 2 10:00 a.m. to 6:00 p.m. Film School in Katowice, editing room
:staffnorbert:rudzik
Lecturer in film and documentary editing at the Krzysztof Kieślowski Film School, University of Silesia in Katowice. For over thirty years, he has professionally worked with digital technologies for capturing and processing film images, both on numerous film sets and in the quiet of the editing studio.
Selected feature films and theatre productions:
Valley of the Gods (2016–2019), dir. Lech Majewski — DIT, Editing, Mastering, Visual Effects
Day Rises. I Fall (2019), dir. Michał Friedrich — DIT, Editing, Visual Effects, Color Correction, Mastering
Imperium (2019), dir. Robert Talarczyk — Television production (Editing)
Dominum Montes. The Mountains of John Paul II (2018), dir. Adam Kraśnicki — Picture and sound editing, Color Correction, Mastering
The Birth of Polish Wings (2018), dir. Grzegorz Styła — Picture and sound editing, Color Correction, Mastering, Visual Effects
Read on...
: locationediting:suite
Two large editing studios forming a modern film production workflow, based on professional NAS solutions (central storage array with 320TB capacity), allow seamless
OFFLINE and ONLINE editing, colour grading, and preparation of screening copies. The studios are equipped with advanced software (ADOBE CC, DaVinci Resolve Studio, Fusion Studio, AVID Media Composer) as well as high-quality computer hardware and a professional 10-bit display system, enabling colour correction for films and photography.
