f:l

film:lab
computer:room
film:lab

computer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

:workshopcomputer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

Read on...

:workshopcomputer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

Read on...

:workshopcomputer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

Read on...

:workshopcomputer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

Read on...

:workshopsound:engineer

DAY 1
Basics of sound production on set
A. Film set hierarchy
B. Systematics of activities in the sound department
C. Equipment selection – basics
D. Room acoustics
E. Cooperation with the costume and set design departments
F. Problem – action
G. Thinking in terms of sound and image editing
H. Synchronising image and sound – methods
I. Car scenes
DAY 2
Controlled practical exercises
A. Microports
B. Practical part
C. Analysis and summary
DAY 3
Controlled practical exercises
A. Boom/div>

B. Practical part
DAY 4
Supervised practical exercises
DAY 5
Practice on a staged set/div>
Theoretical part:

Script analysis and determining sound requirements.

Planning microphone placement and recording sound on set.

Practical part:

Recording sound on location (gimbal)

In parallel: Recording consultations

Recording sound outdoors (gimbal)

Techniques for recording sound outdoors in various weather conditions.

Eliminating unwanted noise and interference.

In parallel: Recording consultations.

Summary:

Summary of recorded audio material and summary of the training.

 

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