f:l

film:lab
sound:engineer
film:lab

sound:engineer

DAY 1
Basics of sound production on set
A. Film set hierarchy
B. Systematics of activities in the sound department
C. Equipment selection – basics
D. Room acoustics
E. Cooperation with the costume and set design departments
F. Problem – action
G. Thinking in terms of sound and image editing
H. Synchronising image and sound – methods
I. Car scenes
DAY 2
Controlled practical exercises
A. Microports
B. Practical part
C. Analysis and summary
DAY 3
Controlled practical exercises
A. Boom/div>

B. Practical part
DAY 4
Supervised practical exercises
DAY 5
Practice on a staged set/div>
Theoretical part:

Script analysis and determining sound requirements.

Planning microphone placement and recording sound on set.

Practical part:

Recording sound on location (gimbal)

In parallel: Recording consultations

Recording sound outdoors (gimbal)

Techniques for recording sound outdoors in various weather conditions.

Eliminating unwanted noise and interference.

In parallel: Recording consultations.

Summary:

Summary of recorded audio material and summary of the training.

 

No available spots.

:staffmonika:krzanowska

Sound recordist/operator, graduate of the Sound Directing Department at the Fryderyk Chopin University of Music in Warsaw.
Actively working in the world of TV series and films since 1996. Has worked on some of the largest projects in the country.
Owner of Dźwiękowe Pole, a company responsible for sound recording on many projects in Poland.
Collaborates with numerous sound recordists and boom operators, providing them with technical support and a comfortable working environment.
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:staff:bartosz:łappo

Boom operator.
Graduate of the AMA Film School in Kraków, Masterclass at Vancouver Film School, and David Macmillan London Masterclass.
Has been working in the profession for over a decade, with experience in both Polish and international projects.
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:staff:łukasz:banach

He has worked on reports and documentary films for broadcasters such as BBC, ABC, ARTE, and YLE. He began his film set career as an assistant sound recordist. Over the years, he has worked as an assistant, boom operator, and currently serves as a sound engineer on television and film sets. For nearly eight years, he has been affiliated with the State Academy of Music in Bydgoszcz, where he conducts workshops for students in sound directing.

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: locationcomputer:room

A specialized computer lab equipped with professional workstations (Apple Mac stations with Pro Tools and PC stations with Adobe Suite) and 4K monitors. The lab also includes 2 photographic scanners for small- and medium-format negatives, a Full HD projector with a projection screen, and a television with a Blu-ray player.

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