:bartosz:łappotraining:sound:engineer
Boom operator.
Graduate of the AMA Film School in Kraków, Masterclass at Vancouver Film School, and David Macmillan London Masterclass.
Has been working in the profession for over a decade, with experience in both Polish and international projects.
:workshopsound:engineer
DAY 1
Basics of sound production on set
A. Film set hierarchy
B. Systematics of activities in the sound department
C. Equipment selection – basics
D. Room acoustics
E. Cooperation with the costume and set design departments
F. Problem – action
G. Thinking in terms of sound and image editing
H. Synchronising image and sound – methods
I. Car scenes
DAY 2
Controlled practical exercises
A. Microports
B. Practical part
C. Analysis and summary
DAY 3
Controlled practical exercises
A. Boom/div>
B. Practical part
DAY 4
Supervised practical exercises
DAY 5
Practice on a staged set/div>
Theoretical part:
Theoretical part:
Script analysis and determining sound requirements.
Planning microphone placement and recording sound on set.
Practical part:
Recording sound on location (gimbal)
In parallel: Recording consultations
Recording sound outdoors (gimbal)
Techniques for recording sound outdoors in various weather conditions.
Eliminating unwanted noise and interference.
In parallel: Recording consultations.
Summary:
Summary of recorded audio material and summary of the training.
Read on...
