monika:krzanowskatraining:sound:engineer
Sound recordist/operator, graduate of the Sound Directing Department at the Fryderyk Chopin University of Music in Warsaw.
Actively working in the world of TV series and films since 1996. Has worked on some of the largest projects in the country.
Owner of Dźwiękowe Pole, a company responsible for sound recording on many projects in Poland.
Collaborates with numerous sound recordists and boom operators, providing them with technical support and a comfortable working environment.
:workshopsound:engineer
DAY 1
Basics of sound production on set
A. Film set hierarchy
B. Systematics of activities in the sound department
C. Equipment selection – basics
D. Room acoustics
E. Cooperation with the costume and set design departments
F. Problem – action
G. Thinking in terms of sound and image editing
H. Synchronising image and sound – methods
I. Car scenes
DAY 2
Controlled practical exercises
A. Microports
B. Practical part
C. Analysis and summary
DAY 3
Controlled practical exercises
A. Boom/div>
B. Practical part
DAY 4
Supervised practical exercises
DAY 5
Practice on a staged set/div>
Theoretical part:
Theoretical part:
Script analysis and determining sound requirements.
Planning microphone placement and recording sound on set.
Practical part:
Recording sound on location (gimbal)
In parallel: Recording consultations
Recording sound outdoors (gimbal)
Techniques for recording sound outdoors in various weather conditions.
Eliminating unwanted noise and interference.
In parallel: Recording consultations.
Summary:
Summary of recorded audio material and summary of the training.
Read on...
